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That said, that style doesn’t always work in the movie’s favor, since it creates a jarring disconnect in which hyperrealistic lions sing like Beyoncé. It looks like the best nature documentary ever made, portraying every animal with a nearly surreal level of photorealism. Hands down, the Lion King remake is one of the most beautiful movies to come out in 2019 thus far. Different they may be, they have one big thing in common: Both are the best things of their respective movies.

Ejiofor is angrier, more malevolent, and more terrifying than Irons, whose Scar has more charisma and more megalomania. Ejiofor’s take is more menacing, and his origin story has been tweaked to include that he not only believes himself to be the rightful king but he even once challenged Mufasa for the crown and lost. Irons’s Scar possessed a blush of camp and sinuous smoothness to go along with his Machiavellian ways. While Jones’s Mufasa is more or less a reprise, Ejiofor’s Scar is very different from Irons’s. James Earl Jones’s Mufasa and Mufasa’s menacing brother Scar, played by Irons in the original and Chiwetel Ejiofor in the remake, are by far the best characters of both versions of The Lion King. The comedian’s signature yell-shout cadence, honed to such perfection in Difficult People and Billy on the Street, seemingly finds its apex in the body of a weird little meerkat.

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The pair suddenly inject some levity into a movie that’s gotten very, very dark - Mufasa has just died, and Simba is in despair - and while Seth Rogen’s voice turns out to be an eerily good fit for a warthog, it is Billy Eichner who steals the entire show as Timon. By the time Timon and Pumbaa showed up during Lion King 2019, about halfway through the film, I was so relieved to see them. (Remember, Lion King is political, folks.) And whereas the pair’s “hakuna matata” philosophy made them seem sort of like charming stoners in the 1994 version, now they’re more like checked-out narcissists, the sort that kind of just land on being libertarians because they think it’s the political philosophy that interferes least with their life. Pumbaa’s fart jokes have been amped up, which has the unfortunate effect of making them less funny. 2) Timon and Pumbaa: the 2019 Lion KingĪdmittedly, some things about Simba’s best pals/adoptive parents Timon and Pumbaa have changed for the worse, between 19. Glover has the better-suited voice in “Can You Feel,” sure. In both versions, the other characters grab the spotlight, particularly Timon and Pumbaa (more on this in a bit), and neither Glover nor Broderick can ever outshine them. It may also be why Donald Glover’s Simba in 2019’s edition fails to leave much of an impression. Perhaps that’s why Matthew Broderick’s Simba (from the 1994 version of the film) isn’t as iconic as Jeremy Irons’s Scar or James Earl Jones’s Mufasa. follow what his father told him all along. For the most part, he just follows what the other animals - Mufasa, Scar, Timon, Pumbaa, Nala, Rafiki - tell him to do. This may be a controversial opinion, but here it goes: Simba, the protagonist, is the least compelling character in The Lion King. Here are nine integral components of The Lion King, and our definitive opinions on which version served them better. That said, there are at least some parts of the remake that surpass the original. The Lion King remake failed to match up with its predecessor in a lot of ways. And, according to film critics, Disney failed to do so - The Lion King’s 2019 iteration has received mixed to low marks across the board. While the new Lion King will most likely make piles of money (thanks to heavy marketing, existing fan nostalgia, and a savvy Beyoncé casting), creating a movie that bests the beloved original is easier said than done. Now, 25 years later, Disney has remade the classic with its sights set on the coup of a century: an attempt to remake the movie and cash in on that nostalgia. It was a movie about succession, monarchies, sex, death, and nihilism - all wrapped around the story of large felines, warthogs, meerkats, and the “Circle of Life.” Called The Lion King, it became one of Disney’s most beloved animated features of all time. In 1994, Disney released an animated movie with the makings of a Shakespearean drama.